Showing posts with label Jessie Thoman. Show all posts
Showing posts with label Jessie Thoman. Show all posts

Monday, March 2, 2015

Your Brave

Mirari just had our spring weeklong tour presenting master classes and performing concerts at several universities and colleges in Missouri.  We met, worked with, and got to perform for many smart, engaging, and fantastic performers and teachers!  Obviously, this is one of the amazing perks of this job, but I’m also realizing, the place I find myself most fearful – the horn in my hands performance arena.


Recently, I got a tattoo.  For those of you who know me, I’ve been thinking about this for several years now.  I finally did it a few weeks ago and it has been a decision that I have not second-guessed and/or regretted, ever (for those of your who know me, this is also a big deal!).


Macintosh HD:Users:jthoman:Desktop:Fearless, Tattoo.jpg
I have been on this Fearless path for about 9 years now (WOW!). I’ve had ups and downs, highs and lows, and have experienced a myriad of emotions on this Fearless ride.  Luckily, throughout this process I have made amazing friends and acquired an arsenal of Fearless resources all of which have helped me become a better performer/story teller when on stage.    


For each performance previous to this week, I had my inspiration sheet, notes of encouragement on my music, countless phone calls to and amazing advice from Jeff Nelsen (THANK YOU!) and many other friends to get my mind in the “right” place - to get me in the zone. During this past week, I felt the symptoms of nervousness start to invade my body (of course, stemming from my own thoughts) as we sat down to start our first concert.  My mind was filled with too many options.  What if I can’t get my lips to respond because they are chapped, and I’m dehydrated, and tired from a long day of rehearsal?  What if I can’t make it through this performance?  What if I can’t get notes to speak?  What if I freak out and am out of the zone?  I had 95 “What If” options. As I took my first breath of the performance, I looked down at my left wrist and saw FEARLESS emblazoned on my skin.  


It was an instant reset.  I was immediately calm, focused, and ready to share music/stories not only with the rest of Mirari, but with the audience, as well!

Fearless training has been such an integral part of my life over these past 9 years, that I didn’t need a paragraph explaining what it was, what it entailed or have someone encourage me to do my best to know exactly what I needed to do.  Fearless is something I am; it’s in my being (as it is for everyone).  Fearlessness comes from within, not outside, myself.  Just like you learn from your teachers, process what they say, put it into your own words, share it with others, and find out later, it is then your information to share and own, this experience was the same.  Everything I need, I currently possess.  Being Fearless isn’t about not experiencing Fear (nerves, shaky hands, unsteady breath, etc.) it’s about letting your Brave be the loudest voice you hear at that moment.


Macintosh HD:Users:jthoman:Desktop:Look Beyond Your Fear and Find Your Brave.jpg


What would happen if we all let our Brave be the loudest voice in our heads?  What would your world look like if you shared your Brave rather than hiding your Fear?


This week, I found my Brave.  Not only did I find it, but I found the key to it, too!  This key is now etched on my left wrist.  I’ll never lose it, never have to second guess it.  It is, and always has been, within me.  

I have one option now, to BE FEARLESS.  ☺

Jessie

Thursday, October 2, 2014

5 Things Musicians Should Do Everyday (Besides Practice)

Just like brushing your teeth, washing your clothes, and putting gas in your car are important daily living tasks, there are other types of daily chores that are just as important to your success as a musician.  I’ve put together a list of 5 things that I think are the keys to a happy, meaningful, and intentional life in music.

Trust –Being able to trust in those around you, especially your fellow musicians, is essential.  However, the most important trust relationship we all have is with ourselves. Trust yourself – do what you say you are going to do.  If you are going to get up at 6am to go practice, plan for it.  Because, let’s face it, there are a ton of great reasons why getting up that early isn’t a good idea. For example, we all need sleep! It’s essential for our physical health as well as our mental health (and a myriad of other good reasons, like a comfy bed, it’s raining/snowing out, your partner looks so freaking comfortable! etc.).  Therefore, plan your day knowing you are going to get up early the next morning and go to bed at an hour where getting up at 6am is doable.  Set your alarm, and get up when it goes off knowing the hardest part is getting your feet on the floor!  Once you’re up, you have now created trust by proving that you will do what you’re going to do.  If you can’t trust you to follow through, why would anyone else?  

Give – As musicians, this is the goal.  We are storytellers.  We have to give a piece of ourselves, our life, our experience, to our audience (whether that is a student, colleague, an interview panel, and audition panel, etc.).  But, from where does all the giving material come?  It comes from sharing the human experience.  Give of yourself to your audience, colleagues, students, friends, etc. Many times the giving we do seems fruitless or futile.  You offer something to an audience and it seems to go unnoticed, is misinterpreted, ignored, or even  not liked.  It can feel empty and a like a worthless use of precious energy.  I’ve certainly felt this way before.  But, the fun and amazing thing about giving is that it’s completely exclusive of someone else’s efforts or response.  Giving is a gift we can share with others but also something we can give to ourselves.  Don’t be selfish – share your music.  Your performance depends on it.  So does the universeJ.

Listen – How many times has a teacher, mentor, friend, musician said something and I did not really LISTEN to what they were saying.  This happens maybe because of ego, maybe because we’re all so busy, we’re tired, focusing on other things, interpreting the information through our past experience, etc. How many times do we focus on our emotional response to the delivery rather than really digging in to the content?  Sometimes the best and most meaningful messages come from an unlikely source or delivery.   I recently read this quote by Leonard Bernstein, “The conductor must not only make his orchestra play - he must make them want to play. He must exalt them, lift them, start their adrenaline pouring, either by pleading or demanding or raging. But however he does it, he must make them love the music as he loves it. It is not so much a matter of imposing his will on them like a dictator; it is more like projecting his feelings around so that they reach the last man in the 2nd violin section. And when this happens - when everybody shares his feelings, when 100 men are sharing the same feelings, exactly, simultaneously, responding as one to each rise and fall of the music, to each point of arrival and departure, to when all that is happening then there is a human identity of feeling that has no equal elsewhere." When we focus on the content of a message rather than letting ego/feelings get in the way, we can learn a lot about ourselves and move forward without baggage or regret. 

I had an experience that changed my life in college.  I got 2nd chair in the Wind Ensemble and choose to be very upset over these results.  I went and spoke to the director of the group who quietly, and calmly let me say my piece.  When I finished, he asked, “are you done?” and proceeded to let me know it didn’t matter what the results were, because it was now my job to make the first horn sound great and feel comfortable to play their best.  It was my job, to be the best dang 2nd horn player not only for me but also for my section and the ensemble at large.  He certainly wasn’t yelling at me, but he wasn’t very happy about my attitude.  I walked out of that room with my tail between my legs, but soon came to realize that night what a gift he gave me by listening and truly understanding what I needed to hear in order to grow and evolve.  I am forever grateful for those uncomfortable few moments and for the fact I choose to put my ego aside and really listen to what he had to say.    

Opening our ears to the world around us we may just find the answer by listening a little harder to the content.

Let go – It can be letting go of information that no longer serves you, letting go of relationships that no longer allow you to grow, moving on from a job because you stop moving forward, it could be letting go of old habits, letting go of control, lots of things.  All of these are important.  One of the most important skills we can possess as a musician in the ability to self-analyze.  Figure out where you are, where you want to be, and how to get there.  Often times, this requires letting go of old habits, ways of thought, or even control.  It’s always important to evolve and part of that growth is figuring out what isn’t working for you or what is now unnecessary to hold on to, and letting it all go.

It is easy to hold on to things, people, situations, schools of thought, habits, etc., because that’s just how we’ve always functioned, known.  Letting go requires us to regularly take inventory of our lives and see keep what’s working and discard the things that aren’t in order to make more room for the solutions.  The scariest part can be not knowing the outcome of your letting go efforts.  But, what if letting go is a part of the solution and allows you to fulfill goals and reach dreams?  You’ll never know, unless you take the first step…..and let go.

Love/Celebrate – Let’s face it.  Being a musician can be hard.  There are a lot of things about the business that seem unfair, difficult, costly, emotionally taxing, etc. I’ve had my share of blood, sweat, and tears shed to reach where I am, too.  When I was in my second year out of my DM program, I had been applying for every job that became available.  I had been working several jobs, barely making ends meet for just over a year at this point.  I was sitting in my teacher’s office finishing up some projects we had been working on, and another one of my favorite professors came in the room, sat down and said, you’ve looked like crap for a long time now, what's up?  It’s always nice to be told the stress you’re feeling is all over your face (there’s that content thing againJ).  Either way, I told him I was thinking about quitting music.  He replied, “what do you plan on doing instead?”  “I don’t know, something other than this,” I said.  And he said the words that really changed my thinking and course.  “You don’t get to quite because you’re frustrated, you quit because there is something else you’d rather do.”  He was totally right.  In that moment, I finally was able to see and feel the fire that I had felt for music my whole life, even though it was dim.  Never the less, the fire was still there.  I had buried it with, stress, frustration, exhaustion, worry.  I buried it with all the things that don’t really have anything to do with WHY I wanted to be a musician.  Ever since I can remember, I knew music was going to be my career.  From the moment I picked up a horn, I knew this was going to be my life’s work.  So why had I allowed all of these other factors drown out the light inside?  Because I forgot the WHY.  I love music.  I love sound, I love working with my Mirari family, I love how music can change someone’s life (especially my own), I love how listening to Bruckner 8 the 4th movement, no matter how tired or busy I am, will ALWAYS make me stop what I’m doing and dance around the room, playing the timpani part, conducting, and smile from the inside out.  These are the things I forgot. 

Everyday, I make sure to celebrate the fact that I am doing what I love.  I look at my name plate outside my office door often, and think how proud and happy I am that my love for music, no matter how long it took and arduous it was/can be, got me here.  Music never lets you down.  It’s ever present and always available to refill my soul with love.  That love is worth celebrating.

So, go out there and work for the life you deserve.  Be AWESOME today!



Saturday, February 11, 2012

Finding the Balance

YAY!  This is my first blog entry!

In planning a music appreciation class last semester on opera, I came across a great video of Henry Purcell's Dido's Lament (When I am Laid in Earth).  It was a short interview with Philip Sheppard discussing his experience with Jeff Buckley at the Meltdown Festival in 1995.  I was incredibly inspired by Sheppard's thoughts and realizations about music and music making through this experience.

I have always known I was going to be a musician.  Music has always been my life.  Most of my activities are centered around music and my career is music.  Music makes me happy so, I choose to fill almost every second of everyday with music.  When I graduated from high school I went to the Crane School of Music to be a music student.  I took all sorts of classes, lessons, was in ensembles, taught, etc.  I then went on to grad school for a Masters and a Doctorate and took more classes, lessons, etc.  I was a perpetual student and pretty successful at it, too.  Always learning and studying how to be a good musician.  But, somewhere along the way I realized I had lost something that was pivotal to my success in becoming a great musician.  I had gotten so caught up in becoming a great student and fulfilling all my coursework and other obligations, I had forgotten one important thing, why did I go into music?

Hearing Philip Sheppard describe his experience working with Jeff Buckley struck a chord with me.  Is it all about what you've learned?  Is being a student and graduate of music studies the only course you need to become successful in the art and business of music?  Hearing the haunting, melancholy voice of Jeff Buckley was a sure answer.  No.

I had worked so hard to make sure I had all the information I needed to be great.  I spent hours in practice rooms and libraries. What I had lost along the way was remembering why I choose music.  What I felt when I heard the horns in E.T. (the movie), Mahler's Adagietto (4th mvmt to Symphony No. 5), the Kyrie from Palestrina's Pope Marcellus Mass, sitting around our family piano singing I'm Gonna Wash That Man Right Outta My Hair, sitting in the pews of a dark cathedral holding a candle and being transported by the ethereal voices of the choir, hearing my own voice as a musician, were the things with which I had lost touch.

When working with students, I have them write down the piece on which they are working.  Then, I have them assemble a list of things that an optimal performance of the this piece would include.  When making these lists (including the ones I make for myself) 95% of the items are descriptors of beauty, inspiration, communication and connecting with listeners.  In creating these lists, I have dusted off the feeling I have felt ever since I can remember when listening and being a part of music.  I have realized that being a great musician means 50% learned information and 50% feel.

I've never walked away from a concert saying, WOW, they can really play great 16th notes or they keep really great time.  Although these things are essential and required for great music making, if we loose touch with the things music can allow us the space and safety to feel, what's left?

Philip Sheppard said that even though he only spent about a half an hour with Jeff Buckley he thinks of him almost every day.  Isn't that one of the things we all cherish about music?  It's ability to attach itself to the soundboard or soundtrack of our lives.  Being a great musician means knowing your facts and technique.  It also means coloring those facts and techniques with the art of being human.  Feeling.